Here is a video of the "Texture" opening reception.

Enjoy!

TEXTURE on display

Hi friends. "Texture," a collaborative show with my dad and stepmom, goes on display this Friday in Carthage, Missouri. The show's title comes from a time in college when a friend, Millie (are you out there?) and I wanted to get the sculpture and textiles departments together for a show. We were so inspired by the contrast in materials, the link of sculpture with the masculine and textiles with the feminine, and the title itself (textiles and sculpture, get it?). Although our enthusiasm never coalesced past a grant proposal, I remember it with fondness and pride. Now I finally get to use the concept.

The piece we used for the postcard (above) is a "collaboration by mail". I started it with simple quilt rectangles of somewhat abstracted birds on telephone wire. Lee Ann got it in the mail, saw birds on vertical sticks with leaves, and sewed the rectangles together, adding felted bird forms and appliqued-yarn vines. Dad turned it into an aviary made of twigs, ornamented with bird "claws" which are actually firing cones from the kiln. I'm really looking forward to the show's opening (I haven't even seen the collaborative piece in person yet.) Here are the show details:

TEXTURE

a presentation of textiles and sculpture

by Jack & Lee Ann Sours & Suzie Sours Israel

Opening reception:

Friday, May 28, 6 - 8 pm

at artCentral, 1110 E 13th Street,

Carthage, MO 64836

Pottery, weavings, stone sculpture,

and organic form quilts

will be on display May 28-June 13.

for info: artCentral@suddenlinkmail.com

Here are my pieces that'll be in the show. I'll videotape the gallery and post it, so folks can see what it looks like!

Sharing

I'm experimenting with the settings of my blog so it automatically emails people when I publish this post. So if you're getting this in your email, then you're one of 10 people who I really wanted to see this (because I can only add 10 email addresses :).

Dad and LeeAnn (my stepmom) invited me to be in a show with them at the Art Central Gallery in Carthage, MO at the end of May. Here are my two latest, finished quilts for the show.

I'm trying to come up with a title for the "field" quilt, above. It makes me think of seeds under the ground, germinating and preparing to pop out of the ground when spring comes. It also is a very comforting scene to me; there's something that feels safe and secure about it.

I'm pretty sure the one above will be named "Longing". This scene was taken from a snapshot I took while walking around the grounds at Canaan Farm, where I work, over the lunch hour.

More roadside inspiration!

I'm waiting for my latest quilt to come out of the dryer {note from the future: by the time I finished this post, it was dry. There's a picture at the end of this post} which is kind of like waiting for a kiln to cool so you can see how the glazes came out. This anticipation is one of the gifts of art. Another gift of art is how my vision literally changes when I'm working on a representational piece...for example, when I was starting this quilt, I obsessed about the tops of the trees that edge the fields, as they pop up above the rest of the treeline...and I started seeing those shapes all over the place, for the very first time, in a different and wonderful way. It's a subtle, but very real and sustainable, rush.

The Field:

Passing this field on my daily commute, I began to notice the way the furrows undulate and describe the shape of the land, creating a beautifully balanced pattern. Here's a quick sketch I did on the roadside (with cold fingers and my hazard lights blinking.) I took photos for reference too, but the photos don't capture it the way I see it...kind of like a cubist painting with the perspective flattened out.




In this photo, there is a lot more (and in some ways a lot less) information than in the sketch. But the photos are very useful while designing and creating a quilt. Below is the sketch I did in studio to prepare for making the quilt. I used the location sketch for the spatial energy, and filled in details with the photos.

Here are some shots of the process as I layed out the fabric and began the sewing and cutting.

You can see the laptop in the background, with the photo on screen, which I refer to while sewing and cutting...I like the irony of using high-tech "shortcuts" to create such a touchy-feely surface!

And here's the more-or less finished piece!

The Broccodile

Here's a fun project that I did over Christmas vacation...a baby blanket for my 1-year-old nephew Brock, also know as "Brockoli" and "Brockodile". First, I made a montage using images from the internet, then printed it out in pieces...

Then I sewed several layers of jersey fabric over quilt batting and pinned the printouts to it, sewing over them to create broccoli and crocodile shapes. Then I tore away the paper, leaving the shapes stitched in thread.






The cats love to sit on anything I'm working on, especially something soft and cat-sized, like a baby blanket :)





Then I cut away layers of fabric to reveal different colored parts of the pattern.

And lastly, I throw it in the washer and the dryer to get the edges to shrink and tighten into a cohesive-looking whole. Here are pictures of both sides of the finished blanket, different due to cutting away fabric in different areas:

Clouds n Trees

After finishing the cloud quilt (it went to live with Mom), I wanted to try more shapes from nature. I LOVE this quilting technique! It takes a little planning, but I enjoy the analytical, problem-solving aspect of creativity.

Basically, I start with 3 sheets of fabric layered one on top of the other, then start sewing the pattern, cutting away portions to reveal the different colors of fabric. I wash and dry the quilt a couple times during the process to see how the edges will curl up. This Tree Quilt is about 18" x 24"—I think this technique really needs to be used on bigger pieces. The tree motif would be great on a blanket.

Clouds in Raw-Edged Linen

I started this project a few weeks ago after getting some linen fabric in an employee sale. It's wall-hanging sized. I plan to edge it with strips of the darkest blue fabric and sew a long pocket for a dowel rod on the back for hanging.